Medea's Revenge

Medeas Revenge Medea, a play by the Greek playwright Euripides, explores the

Greek- savage dichotomy through the character of Medea, a princess from the

barbarian, or non-Greek, land of Colchis. Throughout the play, it becomes evident to the

reader that Medea is no intermediate woman by Greek standards. Central to the whole spot is

Medeas barbarian origins and how they are related to her actions. In this paper, I am

attempting to retort questions such as how Medea behaves corresponding a fe priapic, how she acts

heroically from a male point of view, why she killed her children, if she could have

achieved her goal without killing them, if the murder was motivate by her barbarian

origins, and how she deals with the pain of killing her children. As an introduction to the

play, the military position of women in Greek society should be briefly discussed. In general, women

had very few rights. In the eyes of men, the main purposes of women in Greek society

were to do housework such as provision and cleaning, and bear children. They could not

vote, own property, or choose a husband, and had to be represented by men in all legal

proceedings. In some ways, these Greek women were almost like slaves. There is a

definite family between this subordination of women and what transpires in the play.

Jason decides that he wants to divorce Medea and espouse the princess of Corinth, casting

Medea aside as if they had never been married. This sort of activity was pleasing by

Greek standards, and shows the subordinate status of the woman, who had no say in any

matter like this. Even though some of Medeas actions were not typical of the average

Greek woman, she mollify had attitudes and emotions common among women. For instance,

Medea speaks...

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